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Reading the Western Landscape - Current Books

The Reading the Western Landscape Book Group explores the portrayal of western North American landscape in fiction, non-fiction, and poetry. The group generally meets the 1st Wednesday of the month at 7:00 p.m. at the Arboretum Library.  See the dates below.  There will be some Saturdays as well. The group uses the Shared Inquiry™ method developed by the Great Books Foundation. The chosen book of the month must be read in order to participate. New members welcome.

Please RSVP to the librarian, Susan Eubank via phone at 626-821-3213 or via email if you plan on attending the book group discussion.

Books that the group has previously discussed can be found here.

Current Book

Wednesday, June 6, 2012, 7:00 p.m.

Cover of Wisdom Sits in Places

Wisdom sits in Places by Keith H. Basso; Albuquerque: University of New Mexico Press, 1996. 

For more than thirty years, Keith Basso has been doing fieldwork among the Western Apache, and now he shares with us what he has learned of Apache place-names -- where they come from and what they mean to Apaches. "This is indeed a brilliant exposition of landscape and language in the world of the Western Apache. But it is more than that. Keith Basso gives us to understand something about the sacred and indivisible nature of words and place. And this is a universal equation, a balance in the universe. Place may be the first of all concepts; it may be the oldest of all words."-N. Scott Momaday, Publisher’s website.

Future books

Wednesday, July 11, 2012, 7:00 p.m.

Cover of You Play the Black and the Red Comes U

You Play the Black and the Red Comes Up by Richard Hallas (pseudonym for Eric Knight). New York: R.M. McBride, 1938.

"[…]for many noir aficionados, [this book] remains one of the most evocative and subversive novels of its time.   […]The book does read like James Cain filtered through Thomas Pynchon. Although Knight's first person narrative begins in typical tough-guy fashion, with Dick Dempsey, an Oklahoma-born AWOL Marine hopping a freight in Texas for Southern California in pursuit of his wife and son, it soon moves off in another, wilder direction — more like a noir Alice in Lotus Land than a cool and conventional hardboiled novel.” — Woody Haut , Los Angeles Review of Books

 Wednesday, August 1, 2012, 7:00 p.m.

 Cover of Where I Was From

Where I was From by Joan Didion;  New York: Knopf,  2003. 

“[…] is a kind of bookend to her earlier musings on California, a reassessment and reappraisal of her thinking about her home state. It is a love song to the place where her family has lived for generations, but a love song full of questions and doubts. ''This book represents an exploration into my own confusions about the place and the way in which I grew up, confusions as much about America as about California,'' she writes, ''misapprehensions and misunderstandings so much a part of who I became that I can still to this day confront them only obliquely.'' — Michiko Kakutani, New York Times Book Review 

 

Wednesday, September 5, 2012, 7:00 p.m.

Cover of Train Dreams

Train Dreams: A Novella by Denis Johnson; New York: Farrar, Straus and Giroux. 2011. 

 

“I first read [the book] in a bright orange 2002 issue of The Paris Review and felt that old thrill of discovery . . . Every once in a while, over the ensuing nine years, I’d page through that Paris Review and try to understand how Johnson had made such a quietly compelling thing. Part of it, of course, is atmosphere. Johnson’s evocation of Prohibition Idaho is totally persuasive . . . The novella also accumulates power because Johnson is as skilled as ever at balancing menace against ecstasy, civilization against wilderness. His prose tiptoes a tightrope between peace and calamity, and beneath all of the novella’s best moments, Johnson runs twin strains of tenderness and the threat of violence . . . it might be the most powerful thing Johnson has ever written.” —Anthony Doerr, New York Times Book Review 

Wednesday, October 10, 2012, 7:00 p.m.

Cover of Come In and Cover Me

Come in and Cover Me by Gin Phillips; New York: Riverhead Books, 2012. 

"Ren has devoted her career to discovering the history of the Mimbres culture, which flourished about 1,000 years ago in the American Southwest. […] Phillips’s writing [is] brimming with imagery. [...] her greatest talent is her ability to create the world of the story. [The book] moves us into the earth. The dusty landscape serves as both setting and metaphor, a beautiful but dangerous place where a sudden loss of footing can prove fatal. [...] Still, this is ultimately a novel about recovery. In that way, the fragmentation of image and memory seems realistic. For most of us, like Ren, healing from tragedy arrives in little pieces and over time". — Brunonia Barry, Washington Post.

Saturday, November 10, 2012, 2:00 p.m.

Cover of An American Provence

An American Provence by Thomas P. Huber ; Boulder : University Press of Colorado, 2011. 

"I have talked about luscious wines and succulent fruit and exquisite dinners. But there may be no more evocative experience of the two valleys than the smell of new-mown hay in the fields at dusk. If a person were to close their eyes, they could not tell if they were in Provence or the North Fork Valley. That sweet, earthy odor is part of the beauty of these places."— [Excerpt]  In this poetic personal narrative, Thomas P. Huber reflects on two seemingly unrelated places-the North Fork Valley in western Colorado and the Coulon River Valley in Provence, France-and finds a shared landscape and sense of place. — Goodreads.com

Saturday, December 8, 2012, 2:00 p.m 

Cover of Klee Wyck

Klee Wyck by Emily Carr; Vancouver, B.C.: Douglas & McIntyre, 2004. (Originally published 1941.)

The legendary Emily Carr was primarily a painter, but she first gained recognition as a writer. Her first book, […], was titled Klee Wyck ("Laughing One"), in honor of the name that the Native people of the west coast gave her as an intrepid young woman. The book […] won the prestigious Governor General's Award […]. [She] wrote these twenty-one word sketches after visiting and living with Native people, painting their totem poles and villages, many of them in wild and remote areas. She tells her stories with beauty, pathos and a vivid awareness of the comedy of people and situations. — Goodreads.com

For more information about the Reading the Western Landscape Book Group, please contact the Arboretum Librarian, Susan Eubank, at 626-821-3213 or via email.